{"id":5094,"date":"2026-07-07T16:33:10","date_gmt":"2026-07-07T14:33:10","guid":{"rendered":"https:\/\/www.museomitoraj.it\/non-categorizzato\/forma-around-matters-of-sound-and-vision-3\/"},"modified":"2026-07-09T13:26:29","modified_gmt":"2026-07-09T11:26:29","slug":"forma-around-matters-of-sound-and-vision-2026-july-24","status":"publish","type":"post","link":"https:\/\/www.museomitoraj.it\/en\/events\/forma-around-matters-of-sound-and-vision-2026-july-24\/","title":{"rendered":"FORMA. around matters of sound and vision"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><em>July 24, 2026 \u2013 9:30 p.m.<\/em><br\/>Il programma musicale estivo del Museo Mitoraj \u00e8 curato dal collettivo artistico e curatoriale <strong>Tutto Questo Sentire (TQS)<\/strong>. Founded in 2014 and with extensive international experience, the collective explores the genius loci through site-specific interventions that create a dialogue between sound, image, and architecture. For the Mitoraj Museum, TQS has conceived a series of three events featuring international artists, bringing avant-garde performance formats to Versilia. Each evening stems from the individual research of one of the collective\u2019s three founding members: <strong>Rebecca Salvadori<\/strong> (video artist and filmmaker), <strong>Sandro Mussida<\/strong> (composer and performer), and <strong>Olivia Salvadori<\/strong> (soprano and vocal artist). The result is a program that forms a single journey, structured around the various facets of a shared sensibility.<br\/>Each evening reveals a different constellation, demonstrating how individual paths and collective research feed into one another.    <\/p>\n\n<h5 class=\"wp-block-heading\"><strong>Venerd\u00ec 24 luglio, ore 21:30<\/strong><\/h5>\n\n<ul class=\"wp-block-list\">\n<li><strong>Thomas Ankersmit (GER)<\/strong> \u2013 Live Performance: An entirely analog concert focused on live improvisation on the Serge Modular synthesizer.<\/li>\n\n\n\n<li><strong>Sandro Mussida (IT\/UK)<\/strong> \u2013 Live Set: Presentation of Heliott, for solo piano, lead weights, and e-bows\u2014a solo piano project that combines spectralism, modal jazz, and late Baroque influences.<\/li>\n<\/ul>\n\n<p class=\"wp-block-paragraph\">Tickets cost <strong>\u20ac18<\/strong> and can be purchased exclusively at the Mitoraj Museum on the day of the event, while seats last (maximum 200 people).<br\/><strong>The ticket office will open at 8:30 p.m.<\/strong><\/p>\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n<h5 class=\"wp-block-heading\"><strong>Further Information<\/strong><\/h5>\n\n<p class=\"wp-block-paragraph\"><strong>Thomas Ankersmit<\/strong> &#8211; <em>Live Performance<\/em><br\/><strong><em>The Tcherepnin Series &#8211; Music for the Original Serge Synthesizers<\/em><\/strong><br\/>Fully analog concerts in which Thomas Ankersmit improvises live on the Serge Modular\u2014a synthesizer in which sound modules are freely connected via cables, without a fixed configuration, allowing for virtually unlimited exploration of timbre. Each piece emerges from a dialogue with the legendary original Serge systems that Ankersmit has sampled in historic studios around the world, creating a physical, visceral, and intensely detailed sonic experience. <\/p>\n\n<p class=\"wp-block-paragraph\"><br\/><strong>Sandro Mussida (IT\/UK)<\/strong><br\/><strong><em>Heliott, for solo piano, lead weights, and e-bows<\/em><\/strong><br\/>Heliott is Sandro Mussida\u2019s solo piano project\u2014the form in which the composer sits at the instrument as both performer and interpreter of his own music. A structure of written themes and sequences that finds its own uniqueness each time, while remaining faithful to the score. Lead weights placed on certain keys, e-bows in specific sections: resonances held open, a harmonic field that does not decay. The music inhabits a composite space\u2014late Baroque, modal jazz, pop, trans-Western drone, spectralism\u2014in which different harmonic systems coexist as physical objects, with weight, color, and temperature.   <\/p>\n","protected":false},"excerpt":{"rendered":"<p>July 24, 2026 \u2013 9:30 p.m.Il programma musicale estivo del Museo Mitoraj \u00e8 curato dal collettivo artistico e curatoriale Tutto Questo Sentire (TQS). Founded in 2014 and with extensive international experience, the collective explores the genius loci through site-specific interventions that create a dialogue between sound, image, and architecture. For the Mitoraj Museum, TQS has [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[136],"tags":[],"class_list":["post-5094","post","type-post","status-publish","format-standard","hentry","category-events"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>FORMA. around matters of sound and vision - Fondazione Museo Mitoraj<\/title>\n<meta name=\"robots\" content=\"noindex, follow\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"FORMA. around matters of sound and vision - Fondazione Museo Mitoraj\" \/>\n<meta property=\"og:description\" content=\"July 24, 2026 \u2013 9:30 p.m.Il programma musicale estivo del Museo Mitoraj \u00e8 curato dal collettivo artistico e curatoriale Tutto Questo Sentire (TQS). Founded in 2014 and with extensive international experience, the collective explores the genius loci through site-specific interventions that create a dialogue between sound, image, and architecture. 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